10 young interior design firms with impressive portfolio, L... - Jonathan Cartu Global Design, Architecture & Engineering Firm
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10 young interior design firms with impressive portfolio, L…

10 young interior design firms with impressive portfolio, L…


PHOTO: Atelier Here

Kelvin Lim of Atelier Here learnt the ropes of architecture both locally, at National University of Singapore, as well as in Norway, at the Oslo School of Architecture and Design.

His international portfolio expanded further when he went for a three-year stint at a design studio in China.

Armed with a repertoire of experience, he set up Atelier Here in 2017.

One consistent quality in all Atelier Here projects is a sense of calm.

“I am interested in a certain kind of stillness in interior spaces, and we have a fierce interest in the notion of privacy,” says Kelvin.

Being a young firm comes with its perks: Clients do not go to them expecting “a certain, established style”, leaving the designers freedom to approach every project with a fresh eye.


This quote by Italian architect Luigi Moretti: “The home is the only space that can disengage us from daily life with the world, and from its great or trivial adventures.”


PHOTO: Build Built

After the eye-opening renovation of his home, Nicholas Hu (far right) made a career switch from banking to interior design, learning the ropes at architectural firm AWP Architects in the day, and Nafa at night.

It was at his first design venture – design studio Bezalel’s Craftsmen – that he met Zack Choy (third, from right), an interior design consultant with experience in commercial projects, homes and more.

They launched Build Built in 2016, which is known for its experiential design process.


People are its main inspiration, which is why the firm strives to create an authentic relationship with clients.

To do that, they encourage clients to get their hands “dirty” during co-creation workshops that involve doodling and Lego bricks, as well as give feedback after virtual reality walk-throughs.

These result in homes with out-of-the-box elements.


The book Creativity Inc, by Edwin Catmull and Amy Wallace.

The president of Pixar and Walt Disney Animation Studios wrote: “Don’t wait for things to be perfect before you share them with others. Show early and show often. It’ll be pretty when we get there, but it won’t be pretty along the way.”


PHOTO: Er Studio

Helmed by principal designer Eloycois Er and project director Hans Chua, Er Studio delves into the technical aspects of design to fine-tune the art of it.

This is certainly due to their education in interior design and museum and exhibition design respectively, as well as their experiences at design consultancies, architecture firms as well as design and build industries.

The studio was set up in 2016.


A space should resonate with its dwellers, say the duo.

They should experience different moods and emotions as they move through their home. To achieve this, the designers take into consideration natural light sources, a well-planned circulation path, and a harmonious use of materials and finishes.

Er Studio works towards designs that are refreshing, yet timeless.


Be it within the team or with clients, communication is key.

“Ideas and messages must be put across clearly and efficiently. We are trained never to assume, and ask whenever in doubt. A lot of assurance is needed for clients to entrust their life savings to us, and this practice has prevented us from doing abortive works,” share Eloycois and Hans.



The company was set up in 2016, but its founders are certainly not new to the industry.

The original Seng Kwong Furniture Company (1966) diversified and, today, its owners run two brands: SK66 as manufacturers and Imagine SK66 as its interior design arm.

The latter is helmed by founders Robert and Tracy Chan-Tack and creative head Tammy Tay.


“We try to run the firm like my grandfather, Chan Bung Guok, did with Seng Kwong. Importance is placed on quality. A year ago, we were at a restaurant having reunion dinner when my grandmother pointed out the chairs we were sitting on – they were made by my grandfather – and their beautiful workmanship,” says Tammy, explaining that the reference was to show the furniture had stood the test of time.  


Having its own carpentry factory and carpenters makes it easier for the team to ensure quality is top-notch.

In terms of design style, its particular strength is in modern chic and Scandinavian country.

To complete their homes, clients can shop from the Imagine SK66 store, which sells armchairs, tables and accessories.


PHOTO: Millimeters Studio

Armed with an education in product design and visual communication, Sherlynn Low worked for kitchen and wardrobe specialists, and bigger brands like Ong&Ong and Como Hotels & Resorts.

Those experiences gave her insights into hospitality and commercial projects. Millimeters Studio – a nod to her attentiveness to symmetry as well as it being the base unit used by designers – sealed her foray into interior design in 2016.


Sherlynn constantly challenges the shoulds and should-nots in interior design, such as having exposed ceiling grids in commercial spaces and construction scaffolding in homes. “I am inspired by the buildings, structures, and even roadworks I see during my travels, and would think of ways to implement them in my projects,” she says.  


While she started out designing homes with a dark colour theme – a niche market – Millimeters has expanded into lighter or coloured interiors. The constant? Each home has an element of surprise. Millimeters Studio also houses a production facility, Saltt, which designs handles, knobs, small furniture pieces, and decorative sculptures and paintings.


PHOTO: Monocot

After cutting his teeth at firms like SCDA and Studio Milou, architecture graduate Mikael Teh set up a number of design studios (including one for a hospitality project in the Maldives) before going solo in 2016. Monocot – previously known as The Monocot Studio – has since won two design awards, and has been involved in many residential, commercial and hospitality projects. These include Sama Sama by Tok Tok at Jewel Changi.


His creations are guided by proportion – both a central principle of architecture and “an important connection between mathematics and art”. They are a delicate balance between the intangible and tangible, and are rooted, for instance, in spatial understanding and memories, encompassing well-designed artefacts and even floral works. His studio name reflects this intersection of art, beauty and science, too: Monocotyledons, commonly referred to as monocots, are a type of flower with parts that come in threes. “You will see multiples of three – dimensions in 300, 600, 900 – in my work,” says Mikael.


A Single Man by Tom Ford and In the Mood for Love by Wong Kar Wai. “They capture and represent the ambience and emotions that deeply resonate with my design philosophy: nostalgic and artful.”


PHOTO: Parenthesis

Between the four partners – Sujono Lim, Molina Hun, Yanika Gunawan and Hong Weiming – the studio has over 40 years of experience in architecture, interior, residential, office and hospitality design projects. Their diverse backgrounds allow Parenthesis, which was founded in 2018, to take on projects that require more experimental and collaborative approaches.


Each project is contextual. Parenthesis takes the cultural context and lifestyle of their clients and translates it into a progressive design. It helps that each partner offers a different perspective. “It offers a positive friction, all of which benefits the vision we have in mind,” says Sujono. As their work is based on critical design thinking, back-end work – such as 3-D renderings and documentation – is handled by an in-house support team. This leaves the four friends room to explore and experiment.


“It takes some time for clients to understand (our approach). We keep our methods fresh, but at the same time do not implement a singular way of dealing with projects. It’s dynamic and organic.”



Tommy Lai’s Masters education in architecture, as well as his experience in various architecture firms like Ong&Ong, laid the foundation for the setting up of his own firm. TLDesign was set up in 2018, and is a strong believer in form-follows-function.


 Tommy works with detailed 3-D models and 2-D drawings. To create timeless and lasting designs, he opts for natural materials like stone and wood, and picks out everything from carpets to the smallest cutlery item. He particularly loves the challenge of designing small apartments; he once increased storage space within an apartment by 300 per cent, by…


Jonathan Cartu

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